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Jimson Weed/White Flower No. 1

Jimson Weed/White Flower No. 1

Georgia O'Keeffe

  • American Modernism
  • Precisionism
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So, you think this is just a pretty flower picture? Bless your heart. This is 'Jimson Weed/White Flower No. 1,' and it’s a masterclass in making you pay attention. Georgia O'Keeffe once said she’d paint flowers so big that even "busy New-Yorkers" would have to look. Mission accomplished. Let's talk symbolism, shall we? This isn't just any weed; it's jimson weed, a toxic plant that blooms in the evening and has hallucinogenic properties. O'Keeffe transformed this poisonous plant into something sublime, capturing its essence rather than a literal depiction. While critics of her time were busy projecting all sorts of Freudian, sexual interpretations onto her flower paintings, O'Keeffe consistently denied their claims. She was more interested in the forms and colors of the natural world. Compositionally, this piece is a study in modernist cool. The frontal perspective and symmetry give the flower a monumental quality. Influenced by photography, O'Keeffe uses magnification and cropping to force you into an intimate, immersive experience with the bloom. The rhythmic light and shade, along with a simplified color palette, highlight the flower's simple, almost architectural beauty. And for a bit of historical gossip, a later version of this painting was originally commissioned by cosmetics magnate Elizabeth Arden for the exercise room of her New York salon. The unfurling blossoms were meant to inspire clients in their stretches. In 2014, this 1932 painting absolutely shattered auction records for a female artist, selling for a cool $44.4 million. Not bad for a painting of a humble, poisonous weed.

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About Georgia O'Keeffe